Categories
Research Process

Why did so many ordinary people set up their own museums?

Over the last few years the Mapping Museums team has collected information on all the UK museums that had been opened since 1960. You can read a detailed analysis of the data in the linked report or see the key findings on the website, but there are five points that we found particularly interesting. These are:

  • Over 3,000 new museums have opened since 1960.
  • The museum sector grew continuously from 1960 until 2015, although growth was concentrated in the 1970s and 1980s.
  • Most of the museums were small, which is to say they attracted less than 10,000 visitors a year.
  • Most of the new museums were independent and were established by special interest or community groups.

In short, there was a massive boom in the number of small independent museums, or micromuseums, and this growth was largely propelled by the work of ordinary people, and not by the foundation of local authority museums.

Another point that also arrested our interest was that:

  • Among small independent museums the most popular subject matter was local history, war and conflict, and transport.

For the research team, then, the questions were why did so many people decide to establish their own museums, why did they do so during the late-twentieth century, and why the focus on these subject areas?

Dr Toby Butler, one of the post-doctoral researchers on the project, set out to find some answers by conducting a series of interviews with people who had founded micromuseums (See blogs: ‘On the road with the Mapping Museums project’ and ‘Finding museum founders’). The transcripts of those monographs are on the project website. At the same, time, Dr Jake Watts investigated some of the wider socio-economic factors that underpinned the foundation of particular types of museums. The three of us then read through that material, discussed their findings, and planned a co-authored monograph, which I am now writing. We did discuss the possibility of us all writing individual sections but decided that it would be a better read if it has a consistent style and presented a synthesis of our research.

Toby’s interview transcripts run to some 250,000 words of rich material about the early histories of thirty-eight micromuseums, and Jake generated extensive material on changes to the railways, car ownership, the structure of the British army, local history societies and many other topics that all informed our investigation. Together, they provided me with enough material for several books, not just one. We can’t decide whether to call it The Micromuseums Boom or Why thousands of ordinary people decided to open their own museums, or if it should have a different title entirely. Perhaps you can let us know what you think.

Fiona Candlin

Categories
Events

Small museums in a global context

In June 2019, the Mapping Museums team ran a half-day symposium, where specialists on Brazilian, British, Canadian, and Tibetan museums talked about museums of taxidermied gophers, the importance of place, alternative histories, and the factors underpinning the expansion of the museum sector, among other topics. If you missed the event you can now watch those lectures online (click the links under each title to view the video).

From Gophers to Fear and Wonder: Studying the Small Town and Rural Museums in Alberta

Lianne McTavish

https://birkbeck.hosted.panopto.com/Panopto/Pages/Embed.aspx?id=6e1c5d6d-36b2-425a-bb54-aa9600c53d60

Community museums of the 21st century in Brazil: local experiences for a global reflection

Bruno Brulon Soares

https://birkbeck.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=21fb1d2f-6dd5-4389-ace6-aa7a00ae68ca

Abstracts

Lianne McTavish

In 2013, I received funding to visit and analyze the small town and rural museums in Alberta, a province in western Canada. My research assistant (Misa Nikolic) and I first strove to find and map every museum in the province, a difficult task that eventually revealed 315 organizations. We then visited, photographed, and documented over 71% of those museums, highlighting the small and officially “unrecognized” museums in remote locations. My talk describes the challenges we faced, the adventures we had, and the lessons we learned during this process, highlighting such themes as automobility, resource extraction, and Indigenous cultures.

Bruno Brulon Soares

Community museums have transformed contemporary museum practice. In management their own museums, members of communities who are not experts or museum professionals have been able to represent themselves, and to work together to transform their social environment and lived realities. This presentation takes the Museum of Removals in Rio de Janeiro and the Museum of Sexual Diversity in São Paulo as examples of small community museums that have been actively used as political devices.