Categories
Events

Going Public

After three-and-a-half years of intense research and development we will be publishing the Mapping Museums project on Tuesday 17th March 2020. To mark the event we will be having a panel discussion and a drinks reception at the London Transport Museum.

Tickets are free but places are limited. Please book your seat at: https://www.eventbrite.co.uk/e/mapping-museums-launch-tickets-88839716985

We are delighted to welcome four senior museum professionals to discuss the Mapping Museums database and findings, and the implications for the UK museums sector.

Panellists: 

Maggie Appleton, President of the Museums Association and CEO of the Royal Airforce Museum.  

Fiona Candlin, Director of the Mapping Museums research project.

Andrew Lovett, Vice Chair of the Association of Independent Museums, and CEO of the Black Country Living Museum.

Fiona Talbot, Head of Museums Archives Libraries Policy, The National Lottery Heritage Fund.

Chair: Kate Bellamy, Director of Museums, Arts Council England. 

From March 17th the following will be available at: www.mappingmuseums.org

  • A database containing information on over 4,000 museums. This data can be browsed, searched, and visualised, and is free to use under the terms of the Creative Commons (BY) license.
  • A website that houses the database and web application, and resources linked to the project. These include a glossary, detailed information on research methods, transcripts of interviews with museum founders, podcasts, and links to the project publications. 
  • ‘Mapping Museums 1960-2020: a report on the data’. A report outlining growth and closure according to governance, subject matter, size, accreditation, and location. Available online and in hardcopy.
Categories
Publications

New publications

Mapping Museums articles are like buses. You wait patiently for ages, and then three come along at once. We’ve provided the abstracts here and any interested readers can click on the links below for a full text copy.

Understanding and Managing Patchy Data in the UK Museum Sector

Fiona Candlin and Alexandra Poulovassilis

It is well accepted that the museum sector has a longstanding problem with data collection and management. This article begins by exploring problems with gaining access to data, poor archiving and coverage, and the absence of data. We then explain how the Mapping Museums research team set out to remedy the lack of longitudinal data on the UK museum sector in the period between 1960 and 2020. Initially we collated and supplemented existing information on UK museums but it was impossible to fill some gaps or resolve some inconsistencies in the data. Here we discuss how we designed a database that was sensitive to the patchiness of the material, and that could model uncertain and absent data in computational terms. To close, we briefly comment on how our data enables research on museum history and on how the problems with data collection in the sector might be remedied in the longer term.

https://www.tandfonline.com/eprint/8BXPW7CUQ3IMXXQGS7D7/full?target=10.1080/09647775.2019.1666421

The Missing Museums: Accreditation, surveys, and an alternative account of the UK museum sector

Fiona Candlin, Jamie Larkin, Andrea Ballatore, and Alexandra Poulovassilis

Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understand the role of surveys in constructing the museum sector, this article also demonstrates how the inclusion of unaccredited museums drastically changes the profile of the museum sector. We outline the inclusive research methodology of the Mapping Museums project team and compare our findings with those produced when a survey is limited to accredited museums. In so doing, we sketch out an alternative, heterogeneous version of the UK museum sector and make recommendations based on that evidence.

https://www.tandfonline.com/eprint/CRDWGTPUIC2FQFYXYWYT/full?target=10.1080/09548963.2019.1690392

Creating a Knowledge Base to Research the History of UK Museums through Rapid Application Development

Alexandra Poulovassilis, Nick Larsson, Fiona Candlin, Jamie Larkin, and Andrea Ballatore

Several studies have highlighted the absence of an integrated comprehensive dataset covering all of the UK’s museums, hence impeding research into the emergence, evolution, and wider impact of the UK’s museums sector. “Mapping Museums” is an interdisciplinary project aiming to develop a comprehensive database of UK museums in existence since 1960, and to use this to undertake an evidence-based analysis of the development of the UK’s museum sector during 1960–2020 and the links to wider cultural, social, and political concerns. A major part of the project has been the iterative, participatory design of a new RDF/S Knowledge Base to store data and metadata relating to the UK’s museums, and a Web Application for the project’s humanities scholars to browse, search, and visualise the data to investigate their research questions. This article presents the challenges we faced in developing the Knowledge Base and Web Application, our methodology and methods, the design and implementation of the system, and the design, outcomes, and implications of a user trial undertaken with a group of experts from the UK’s museums sector.

https://dl.acm.org/doi/pdf/10.1145/3343871?download=true

Categories
Museum Snapshots

The Camera Museum

The Camera Museum began life as a cafe before being established in 2012 by Patrick and Adrian Tang, displaying Patrick’s growing collection of cameras. The display includes a timeline of cameras from the 1800s to the present. The sign makes reference to the nearby British Museum.

Photo by Jamie Larkin.

Categories
Museum Snapshots

Bournemouth Transport Museum

Yellow bus from Bournemouth Transport Museum
Leyland bus from Bournemouth Transport Museum marked as a Mobile Museum. Photo by Michael Wadman at Netley rally, 1988.

The Bournemouth Transport Museum was a collection of public transport vehicles on display to the public each summer, probably from the late 1970s. It was later known as the Bournemouth Heritage Collection. Some of the vehicles were returned to commercial service in the early 1990s. The collection changed hands and locations a number of times and was eventually sold at auction in 2011. The bus pictured above now appears to be in the West of England Transport Collection, along with many other Bournemouth vehicles. Interestingly it is labelled as a mobile museum, although we don’t know if it contained any exhibits. As always, if you can offer any information about this, please get in touch.

Image via Michael Wadman on Flickr, where you can also read a short but detailed history of the collection.

Categories
Museum Snapshots

Gloucester Folk Museum

Gloucester Folk Museum sign on an old bicycle

The Folk Museum, now known as the Gloucester Life Museum, is housed in Tudor timber-framed buildings. One of them is traditionally associated with the last night of John Hooper, Bishop of Gloucester and Worcester, who was burned for heresy by Queen Mary in 1555.

The museum tells the social history of Gloucestershire and includes a reconstructed Victorian classroom.

Image via roomsbooked.

Categories
Museum Snapshots

Big Four Railway Museum

Post mark for the Big Four Railway museum

Some museums are well documented, while others can be rather elusive. A case in point is the Big Four Railway Museum in Bournemouth, about which we know very little. According to one source it housed a collection of railway locomotive name plates belonging to the enthusiast Frank Burridge and was open in the 1980s. As this postmark suggests, it may also have hosted temporary exhibitions.

Burridge wrote a book about locomotive name plates. As the book’s cover indicates, the Big Four were the four main railway companies in the United Kingdom between 1923 and 1947: Great Western Railway, London, Midland and Scottish Railway, London and North Eastern Railway, and Southern Railway.

A postcard apparently showing the museum’s interior is reproduced below.

Interior of the big four museum with name plates

Images via ebay and Alwyn Ladell on Flickr.

 

Categories
Museum Snapshots

Datchworth Museum

Datchworth Museum sign
Datchworth Museum sign, 2007

This museum occupies an old blacksmith’s forge which had been unused since 1953. The collection was begun by Doreen Hodson-Smith, a local resident, but it had outgrown her home. The forge was seen as a suitable venue for a museum to house the collection, and after refurbishment it opened in 1991. The old forge and blacksmith’s bellows were retained and these remain a focal point. The museum illustrates Datchworth’s history with over 900 artefacts, and in 2009 the collection expanded to include the village telephone kiosk, still in situ on the Green.

Image via the museum.

Categories
Museum Snapshots

Basket Museum

Basket Museum interior display

The Basket Museum is part of Coates, a willow business based on the Somerset Levels. Willow for basket making has been grown on the levels for centuries. The museum displays a variety of willow items including bushel baskets, tricycles and traps.

 

Basket Museum display including Red Cross baskets

Images via the museum.

Categories
Museum Snapshots

David Mellor Design Museum

Bus stop at the David Mellor Design Museum

David Mellor was a designer specialising in cutlery, although he also designed street furniture including bus stops and the traffic lights still in use in Britain today. The museum shares the site with a working cutlery factory, which occupies a new building on the site of Hathersage’s old village gasworks.

Image via the museum.

Categories
Museum Snapshots

Freddie Fox Museum

Winston Churchill's cigars at the Freddie Fox Museum

Freddie Fox (1913-1990) inherited his father’s Dublin cigar business, and expanded it to an international concern. In 1992 JJ Fox acquired the older business of Robert Lewis, an eighteenth-century tobacco dealer based in St James’s, London. This museum devoted to smoking history is in the London shop’s basement.