Museum Closure in the UK

New data on UK Museum Closure 2000–2024: Governance and region

At least 467 museums have closed in the UK since the beginning of the millennium.1 For organisations that aim at keeping their collections for posterity that figure may seem high, but it is important to realise that for most of the past twenty-four years, more museums have opened than closed. The sector is still bigger now than it was in 2000. The more pertinent question is which types of museums have closed and where? Are parts of the sector thriving while others struggle? When did they close: are we on an upwards or downwards trajectory or is the sector flatlining? Over the next few months, we’ll address all these questions. In this blog we’ll concentrate on governance, looking at the differences between governance types, and if those are nuanced with respect to region.

The chart shows the changes in museum numbers between 2000 and 2024, categorised by governance. The largest increase is for not for profit musueums at 22%, while the only decrease is for local authority museums, at -9%.
Table 1: Increase and decrease in museum numbers by governance

Table 1 shows that around 138 independent (not for profit) and 152 private museums definitely closed during the period under study. Those numbers are far outweighed by openings. Since 2000 some 418 independent (not for profit) and 209 private museums have opened, which more than offsets the numbers of closures. There are far fewer university and national museums, but like not-for-profit and private museums, their overall numbers have also risen. Twelve university museums have closed and eighteen opened, and three national museums or additional branches have closed with eleven openings. In terms of overall numbers at least, the private and independent (not for profit) museum sectors have collectively managed to ride out waves of austerity, the pandemic, and the cost-of-living crisis. The same is not true of local authority museums, 145 of which have closed with only 72 opening, a loss of 73 museums.

It is easier to grasp what is happening in the museum sector if we frame openings and closures in terms of percentage change. That approach takes the numbers of closures and openings for each group of museums into account and judges them against the total number of museums in that category. Looking at Table 1 we can see that the overall number of independent (not for profit) museums has risen by a substantial 22%, private and national museums by around 13%, and university museums by 7%. In stark contrast, the change for local authority museums is -9%.

The table shows increase and decrease in museum numbers between 2000 and 2024, categorised by museum governance and UK nation and English region. The largest increases are for not for profit museums, with the East of England seeing the highest rise. Local authority museums have reduced in almost all areas, with the highest closures in Scotland, North West England and the South West
Table 2: Increase and decrease in museum numbers: governance vs region

So where exactly are these museums opening and closing? Table 2 shows us that growth among independent (not-for-profit) museums, has been spread across all the nations and English regions regions most notably Wales, Scotland, and the East of England. Conversely, the number of Local Authority museums has decreased in all regions, the exception being Northern Ireland (where the museum sector has consistently had different patterns of growth and closure to the rest of the UK). The dropping numbers of Local Authority museums is the most worrying aspect of museum closure over the last twenty-four years. Scotland lost by far the most local authority museums, with a drop of seventeen since 2000, that is, 12% of its total. However the situation is perhaps more troubling in London which lost nine local authority museums, a decrease of 22%, the largest in the UK. Although the capital is well served by national museums, they are mainly located in the centre of the city and serve a national and international audience, whereas the Local Authority museums are mainly in the outer boroughs and are usually conceived as a service for the neighbourhood.

We also want to point to the areas that have low growth among independent museums and have simultaneously lost a higher proportion of Local Authority museums – particularly the North West. In these areas, the overall levels of museum provision, and hence the benefits that they may provide in terms of access to public space, informal education, culture, and just pleasure, are being correspondingly reduced.

In our next blog we will be looking at social deprivation and exploring the issue of closure and access to museums in more detail. Please subscribe to receive further posts on our work in progress and new findings.

Fiona Candlin and George Wright

  1. A note on numbers:
    In most cases, we have a definite year for museum closure. In some cases, we have a date range. For example, we may know that a museum closed at some point between 1995 and 2005 but cannot determine exactly when. In these instances, we calculate the probability of it having closed after 2000 and factor that information into the analysis. That can lead to some slight discrepancies in the totals, for instance when one number is rounded down and another rounded up. Apart from the headline number of 467 definite closures since 2000, all the data reported in this post are based on probabilistic estimates. Our best estimate of the total number of closures is 534. ↩︎
Research Process

An Arts Scholar Learns about Administrative Geography and Datasets

Until fairly recently, I had no idea that organising museums according to their location could be quite so complicated. In the original proposal for the Mapping Museums project, we had stated that we would develop a database that would enable researchers to search our data according to a museum’s location and to visualise that information. For instance, a user could browse through all the museums in Yorkshire or see them marked as points on a map. That seemed reasonably simple. Why, then, did this task keep me awake at night?

I now know that there were three key questions and areas of research, but initially, they blurred into one confusing mass. We needed to decide which boundaries we would use, how the database would be organised with respect to location, and to identify the datasets that would underpin the database and create map-based visualisations. We also had to think about the needs of different users. This blog looks back on why we initially struggled with location and the decisions we made about how to map our data.

Choosing boundaries

The first task was deciding which boundaries we should use to search and map the museums listed in our dataset. The Museum Development Network and Arts Council use regions as the basis for organising support and funding. The Office of National Statistics also uses them in statistical analysis, and so my first thought was to follow that structure. I quickly found information on the nine regions of England and then looked for data on Northern Ireland, Scotland, and Wales, only to discover that for analytical purposes, those three countries are considered to be equivalent to regions. Putting Scotland or Wales on a par with the East of England or the West Midlands seemed to imply that these countries had the same status as a sub-section of England, and hence were insignificant in relation to England as a whole, which was problematic.

Our next approach was to organise our data according to counties. I then discovered that there are various different types of county: historic counties have their origins in the Middle Ages and still form the basis of many contemporary boundaries; ceremonial counties, which are also referred to as the geographic counties, and which are overseen by a Lord Lieutenant; and the administrative counties, which were replaced by metropolitan and shire counties. Given that we are likely to consider the allocation of financial and other resources, it seemed sensible to use the boundaries that relate to Local Authority administration, and so the Mapping Museums Computer Science researcher started to build the map according to metropolitan and shire counties. Unfortunately, when he presented his work, the image had large gaps with no information. It took me some time to work out that, even though counties are commonly referred to in each country, for administrative purposes, Wales is divided into unitary authorities, Scotland’s sub-divisions are known as council districts, and Northern Ireland has local government districts. Thus, these areas did not show up on a map that referenced counties.

The situation becomes even more complicated within England, which is divided into metropolitan and shire counties, and unitary authorities. Greater London is its own entity and does not belong to any of the other groups. Each of those categories then further sub-divides. Whereas the administrative units in Northern Ireland, Scotland, and Wales have only a single tier, England has a more complex hierarchy. Metropolitan counties divide into metropolitan districts, shire counties divide into non-metropolitan districts, and Greater London into London Boroughs. Unitary Authorities do not have sub-divisions at this level. Table 1 makes this organisation clear.

Table 1: Administrative organisation of the UK

The local authority units are differently constituted in the four countries. However, to make the situation more complicated there are different kinds of administrative geographies. Depending on the public service (census, health, postal, electoral, etc.), the territory of the UK is sliced up in different ways, as displayed in Figure 1.

Figure 1: Hierarchical representation of UK statistical geographies

For the purpose of analysis, some geographical entities like counties are widely used by British people to cognise the territory of the UK, but do not cover the entire space, leaving areas with museums unreferenced. Ideally, a useful organisation of the geographic space in this context must meet three criteria:

  1. All territory should be covered
  2. Units should not overlap
  3. Units should be homogenous in terms of a target attribute (size of the resident population or something else).

UK geographies like the Output Areas or the Local Authority Districts are designed to meet these criteria and are therefore suitable for statistical analysis (less so for spatial cognition). Interestingly, the European framework NUTS aims precisely at creating some order in the messy administrative geographies of EU member states, providing a useful way to think about their commonalities and differences across countries, many of which have similarly intricate administrative geographies (while allowing interoperability and harmonisation of statistical data across different countries).

Choosing the appropriate geography for this project was therefore far from a trivial problem, and the most flexible approach consists of supporting multiple frameworks. Our solution was to identify the location of the museum as precisely as possible in terms of latitude/longitude, so that this location can then be used to assign the museum to any geographic unit., supporting different types of aggregation and analysis.

Organising ‘location’ in the database

The heterogeneous and asymmetric structure of the UK’s administrative geography also had implications for how we designed the database. We had originally intended that the search or browse facility for location would be arranged as a hierarchy of descending size or administrative importance. Following my investigations in administrative borders, I realised that there was no consistent hierarchy, and each country needed its own location logic to be defined. How then to proceed?

Throughout the research, the project co-investigator Professor Alexandra Poulovassilis has adamantly argued that we should not simplify complex data when designing the database. The search and browse functions should be able to encompass and manage some of the messiness of organisation in the real world. Accordingly, our menu of location was organised according to the separate hierarchies of the country in question. A drop-down menu shows England, Northern Ireland, Scotland, Wales, Channel Islands and Isle of Man (the latter two entities are Crown Dependencies rather than part of England). Clicking on Northern Ireland, Scotland, Wales shows their district councils, councils, or unitary authorities as appropriate. England subdivides into regions, then into a mixture of unitary authorities, counties and metropolitan counties, with the latter having the further sub-categories of districts. The region of London divides into the City of London and boroughs. Even though it is not symmetrical, this layout has the advantage of using recognisable sub-divisions, and of acknowledging the differences between the administrative geography of each country.

Identifying datasets

Having decided to use an administrative geography and having agreed that we would not attempt to simplify the differences between the four countries, we then needed to find datasets that would facilitate the organisation of our data. Once again, this involved something of a learning curve and I now know that two types of datasets are required. The first correlates administrative boundaries with postcodes (which we’d collected for each museum) and thus links each museum to a district, council area or region as required. The second dataset enables that information to be visualised in the form of a map.

Datasets that contain the coding for administrative boundaries and their visualisations are devised and available from several organisations, most notably the National Offices of Statistics. However, data collection and analysis within the UK is complicated by devolution. In some cases, the datasets cover two countries or even all four, but generally, the datasets relate to the individual countries of England, Ireland, Scotland and Wales, and to use non-computing terminology, these need stitching together.

A further issue arose in that we needed to find a way to map our data, but we also wanted to import other kinds of data to inform our findings, For instance, we planned on importing census data and using that to make links between museums and the geo-demographic contexts in which they were founded. This meant that we had to choose datasets for locations that would be compatible with any datasets that we may use in the future. In short, we needed to know if we would import additional data in the future, and if so what. It was at this point that we realised we needed expert help and were fortunate enough to have Dr Andrea Ballatore a specialist in geographic information science join the team. He advised on how the different datasets could be combined and also recommended that we use the same administrative framework as the Office of National Statistics as this would allow us to cross-reference our data. Since then the process of mapping museums has proceeded much more smoothly.

Administrative and ordinary geographies

The problem of using current administrative geographies is that they are not always in common usage. For instance, I had not previously encountered English unitary authorities and would never think to look for ‘Liverpool City Region’ when I could look for ‘Merseyside’. The database had to support analysis (i.e. link museums to the correct administrative unit in order to generate accurate statistics) and thus we had to use the relevant geographies, but it also had to support spatial cognition (i.e. help users understand where a museum is using their prior knowledge of the UK). Our solution was to introduce a TownorCity field in the search pages. Users could thereby search by administrative area or on a more intuitive basis by towns or cities.

© Fiona Candlin and Andrea Ballatore, January 2019.